This Side of Paradise, F. Scott Fitzgerald, Part XLIV

F. Scott Fitzgerald

Every day on Daily Readers' Book Club we offer an article length section of a book until that book is done.  We are currently reading F. Scott Fitzgerald's This Side of Paradise.  This book will have 106 parts.

He must have said something, or looked something, for Axia's voice came out of the void with a strange goodness.

"Well, look at Amory!  Poor old Amory's sick--old head going 'round?"

"Look at that man!" cried Amory, pointing toward the corner divan.

"You mean that purple zebra!" shrieked Axia facetiously.  "Ooo-ee!  Amory's got a purple zebra watching him!"

Sloane laughed vacantly.

"Ole zebra gotcha, Amory?"

There was a silence....  The man regarded Amory quizzically....  Then the human voices fell faintly on his ear:

"Thought you weren't drinking," remarked Axia sardonically, but her voice was good to hear; the whole divan that held the man was alive; alive like heat waves over asphalt, like wriggling worms....

"Come back!  Come back!"  Axia's arm fell on his.  "Amory, dear, you aren't going, Amory!"  He was half-way to the door.

"Come on, Amory, stick 'th us!"

"Sick, are you?"

"Sit down a second!"

"Take some water."

"Take a little brandy...."

The elevator was close, and the colored boy was half asleep, paled to a livid bronze...  Axia's beseeching voice floated down the shaft.  Those feet... those feet...

As they settled to the lower floor the feet came into view in the sickly electric light of the paved hall.



Down the long street came the moon, and Amory turned his back on it and walked.  Ten, fifteen steps away sounded the footsteps.  They were like a slow dripping, with just the slightest insistence in their fall.  Amory's shadow lay, perhaps, ten feet ahead of him, and soft shoes was presumably that far behind.  With the instinct of a child Amory edged in under the blue darkness of the white buildings, cleaving the moonlight for haggard seconds, once bursting into a slow run with clumsy stumblings.  After that he stopped suddenly; he must keep hold, he thought.  His lips were dry and he licked them.

If he met any one good--were there any good people left in the world or did they all live in white apartment-houses now?  Was every one followed in the moonlight?  But if he met some one good who'd know what he meant and hear this damned scuffle... then the scuffling grew suddenly nearer, and a black cloud settled over the moon.  When again the pale sheen skimmed the cornices, it was almost beside him, and Amory thought he heard a quiet breathing.  Suddenly he realized that the footsteps were not behind, had never been behind, they were ahead and he was not eluding but following... following.  He began to run, blindly, his heart knocking heavily, his hands clinched.  Far ahead a black dot showed itself, resolved slowly into a human shape.  But Amory was beyond that now; he turned off the street and darted into an alley, narrow and dark and smelling of old rottenness.  He twisted down a long, sinuous blackness, where the moonlight was shut away except for tiny glints and patches... then suddenly sank panting into a corner by a fence, exhausted.  The steps ahead stopped, and he could hear them shift slightly with a continuous motion, like waves around a dock.

He put his face in his hands and covered eyes and ears as well as he could.  During all this time it never occurred to him that he was delirious or drunk.  He had a sense of reality such as material things could never give him.  His intellectual content seemed to submit passively to it, and it fitted like a glove everything that had ever preceded it in his life.  It did not muddle him.  It was like a problem whose answer he knew on paper, yet whose solution he was unable to grasp.  He was far beyond horror.  He had sunk through the thin surface of that, now moved in a region where the feet and the fear of white walls were real, living things, things he must accept.  Only far inside his soul a little fire leaped and cried that something was pulling him down, trying to get him inside a door and slam it behind him.  After that door was slammed there would be only footfalls and white buildings in the moonlight, and perhaps he would be one of the footfalls.

During the five or ten minutes he waited in the shadow of the fence, there was somehow this fire... that was as near as he could name it afterward.  He remembered calling aloud:

"I want some one stupid.  Oh, send some one stupid!"  This to the black fence opposite him, in whose shadows the footsteps shuffled
... shuffled.  He supposed "stupid" and "good" had become somehow intermingled through previous association.  When he called thus it was not an act of will at all--will had turned him away from the moving figure in the street; it was almost instinct that called, just the pile on pile of inherent tradition or some wild prayer from way over the night.  Then something clanged like a low gong struck at a distance, and before his eyes a face flashed over the two feet, a face pale and distorted with a sort of infinite evil that twisted it like flame in the wind; but he knew, for the half instant that the gong tanged and hummed, that it was the face of Dick Humbird.

Minutes later he sprang to his feet, realizing dimly that there was no more sound, and that he was alone in the graying alley.  It was cold, and he started on a steady run for the light that showed the street at the other end.


Image courtesy of Peter Alfred Hess.


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