This Side of Paradise, F. Scott Fitzgerald, Part LXXX

F. Scott Fitzgerald

Every day on Daily Readers' Book Club we offer an article length section of a book until that book is done.  We are currently reading F. Scott Fitzgerald's This Side of Paradise.  This book will have 106 parts.

They went out very little: to an occasional play, or to dinner at the Ritz or the Princeton Club.  With prohibition the great rendezvous had received their death wounds; no longer could one wander to the Biltmore bar at twelve or five and find congenial spirits, and both Tom and Amory had outgrown the passion for dancing with mid-Western or New Jersey debbies at the Club-de-Vingt (surnamed the "Club de Gink") or the Plaza Rose Room--besides even that required several cocktails "to come down to the intellectual level of the women present," as Amory had once put it to a horrified matron.

Amory had lately received several alarming letters from Mr. Barton--the Lake Geneva house was too large to be easily rented; the best rent obtainable at present would serve this year to little more than pay for the taxes and necessary improvements; in fact, the lawyer suggested that the whole property was simply a white elephant on Amory's hands.  Nevertheless, even though it might not yield a cent for the next three years, Amory decided with a vague sentimentality that for the present, at any rate, he would not sell the house.

This particular day on which he announced his ennui to Tom had been quite typical.  He had risen at noon, lunched with Mrs. Lawrence, and then ridden abstractedly homeward atop one of his beloved buses.

"Why shouldn't you be bored," yawned Tom.  "Isn't that the conventional frame of mind for the young man of your age and condition?"

"Yes," said Amory speculatively, "but I'm more than bored; I am restless."

"Love and war did for you."

"Well," Amory considered, "I'm not sure that the war itself had any great effect on either you or me--but it certainly ruined the old backgrounds, sort of killed individualism out of our generation."

Tom looked up in surprise.

"Yes it did," insisted Amory.  "I'm not sure it didn't kill it out of the whole world.  Oh, Lord, what a pleasure it used to be to dream I might be a really great dictator or writer or religious or political leader--and now even a Leonardo da Vinci or Lorenzo de Medici couldn't be a real old-fashioned bolt in the world.  Life is too huge and complex.  The world is so overgrown that it can't lift its own fingers, and I was planning to be such an important finger--"

"I don't agree with you," Tom interrupted.  "There never were men placed in such egotistic positions since--oh, since the French Revolution."

Amory disagreed violently.

"You're mistaking this period when every nut is an individualist for a period of individualism.  Wilson has only been powerful when he has represented; he's had to compromise over and over again.  Just as soon as Trotsky and Lenin take a definite, consistent stand they'll become merely two-minute figures like Kerensky.  Even Foch hasn't half the significance of Stonewall Jackson.  War used to be the most individualistic pursuit of man, and yet the popular heroes of the war had neither authority nor responsibility: Guynemer and Sergeant York.  How could a schoolboy make a hero of Pershing?  A big man has no time really to do anything but just sit and be big."

"Then you don't think there will be any more permanent world heroes?"

"Yes--in history--not in life.  Carlyle would have difficulty getting material for a new chapter on 'The Hero as a Big Man.'"

"Go on.  I'm a good listener to-day."

"People try so hard to believe in leaders now, pitifully hard.  But we no sooner get a popular reformer or politician or soldier or writer or philosopher--a Roosevelt, a Tolstoi, a Wood, a Shaw, a Nietzsche, than the cross-currents of criticism wash him away.  My Lord, no man can stand prominence these days.  It's the surest path to obscurity.  People get sick of hearing the same name over and over."

"Then you blame it on the press?"

"Absolutely.  Look at you; you're on The New Democracy, considered the most brilliant weekly in the country, read by the men who do things and all that.  What's your business?  Why, to be as clever, as interesting, and as brilliantly cynical as possible about every man, doctrine, book, or policy that is assigned you to deal with.  The more strong lights, the more spiritual scandal you can throw on the matter, the more money they pay you, the more the people buy the issue.  You, Tom d'Invilliers, a blighted Shelley, changing, shifting, clever, unscrupulous, represent the critical consciousness of the race--Oh, don't protest, I know the stuff.  I used to write book reviews in college; I considered it rare sport to refer to the latest honest, conscientious effort to propound a theory or a remedy as a 'welcome addition to our light summer reading.' Come on now, admit it."

Image courtesy of Peter Alfred Hess.

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